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cauz July 9, 2014, 2:40 p.m.
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The Allegory of the Cave

Plato realizes that the general run of humankind can think, and speak, etc., without (so far as they acknowledge) any awareness of his realm of Forms.

The allegory of the cave is supposed to explain this.

In the allegory, Plato likens people untutored in the Theory of Forms to prisoners chained in a cave, unable to turn their heads. All they can see is the wall of the cave. Behind them burns a fire. Between the fire and the prisoners there is a parapet, along which puppeteers can walk. The puppeteers, who are behind the prisoners, hold up puppets that cast shadows on the wall of the cave. The prisoners are unable to see these puppets, the real objects, that pass behind them. What the prisoners see and hear are shadows and echoes cast by objects that they do not see. Here is an illustration of Plato?s Cave:


Such prisoners would mistake appearance for reality. They would think the things they see on the wall (the shadows) were real; they would know nothing of the real causes of the shadows.

So when the prisoners talk, what are they talking about? If an object (a book, let us say) is carried past behind them, and it casts a shadow on the wall, and a prisoner says ?I see a book,? what is he talking about?

He thinks he is talking about a book, but he is really talking about a shadow. But he uses the word ?book.? What does that refer to?

Plato gives his answer at line (515b2). The text here has puzzled many editors, and it has been frequently emended. The translation in Grube/Reeve gets the point correctly:

?And if they could talk to one another, don?t you think they?d suppose that the names they used applied to the things they see passing before them??

Plato?s point is that the prisoners would be mistaken. For they would be taking the terms in their language to refer to the shadows that pass before their eyes, rather than (as is correct, in Plato?s view) to the real things that cast the shadows.

If a prisoner says ?That?s a book? he thinks that the word ?book? refers to the very thing he is looking at. But he would be wrong. He?s only looking at a shadow. The real referent of the word ?book? he cannot see. To see it, he would have to turn his head around.

Plato?s point: the general terms of our language are not ?names? of the physical objects that we can see. They are actually names of things that we cannot see, things that we can only grasp with the mind.

When the prisoners are released, they can turn their heads and see the real objects. Then they realize their error. What can we do that is analogous to turning our heads and seeing the causes of the shadows? We can come to grasp the Forms with our minds.

Plato?s aim in the Republic is to describe what is necessary for us to achieve this reflective understanding. But even without it, it remains true that our very ability to think and to speak depends on the Forms. For the terms of the language we use get their meaning by ?naming? the Forms that the objects we perceive participate in.

The prisoners may learn what a book is by their experience with shadows of books. But they would be mistaken if they thought that the word ?book? refers to something that any of them has ever seen.

Likewise, we may acquire concepts by our perceptual experience of physical objects. But we would be mistaken if we thought that the concepts that we grasp were on the same level as the things we perceive.
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Hidden User July 9, 2014, 2:43 p.m.
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[Socrates] And now, I said, let me show in a figure how far our nature is enlightened or unenlightened: --Behold! human beings living in a underground cave, which has a mouth open towards the light and reaching all along the cave; here they have been from their childhood, and have their legs and necks chained so that they cannot move, and can only see before them, being prevented by the chains from turning round their heads. Above and behind them a fire is blazing at a distance, and between the fire and the prisoners there is a raised way; and you will see, if you look, a low wall built along the way, like the screen which marionette players have in front of them, over which they show the puppets.
[Glaucon] I see.
[Socrates] And do you see, I said, men passing along the wall carrying all ...
 
cauz July 9, 2014, 2:44 p.m.
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[Glaucon] Yes, he said, I think that he would rather suffer anything than entertain these false notions and live in this miserable manner.
[Socrates] Imagine once more, I said, such an one coming suddenly out of the sun to be replaced in his old situation; would he not be certain to have his eyes full of darkness?
[Glaucon] To be sure, he said.
[Socrates] And if there were a contest, and he had to compete in measuring the shadows with the prisoners who had never moved out of the cave, while his sight was still weak, and before his eyes had become steady (and the time which would be needed to acquire this new habit of sight might be very considerable) would he not be ridiculous? Men would sa...
 
cauz July 9, 2014, 2:44 p.m.
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[Socrates] And must there not be some art which will effect conversion in the easiest and quickest manner; not implanting the faculty of sight, for that exists already, but has been turned in the wrong direction, and is looking away from the truth?
[Glaucon] Yes, he said, such an art may be presumed.
[Socrates] And whereas the other so-called virtues of the soul seem to be akin to bodily qualities, for even when they are not originally innate they can be implanted later by habit and exercise, the of wisdom more than anything else contains a divine element which always remains, and by this conversion is rendered useful and profitable; or, on the other hand, hurtful and useless. Did you never observe the narrow intelligence flashing from the keen eye of a clever rogue --how eager he is, how...
 
cauz July 9, 2014, 2:47 p.m.
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Reflection of Plato ?Allegory of the Cave? in Today?s Society
?Allegory of the Cave? is a dialog between Socrates and Gloucon in ?The Republic? written by Plato. The image of the cave is a universal picture of the human conditions that applies to everyone. It questions the justice created by the society and human nature. The idea conveyed through the dialogue thousands of years ago is so general that examples could be found in today?s society as well.
In the beginning Socrates draws the mental image of the cave to his student. The cave is long and dark, but at the opening to the cave you can see some light coming in. In the cave there are humans chained as prisoners facing the wall and who are allowed to turn their heads and look around. They watch the shadows on the wall presented by ...
 
cauz July 9, 2014, 2:49 p.m.
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?The Matrix?, a 1999 film by the Wachowski brothers, adapts a number of new and ancient philosophies about the truth behind reality, but the most central to the overarching framework of the film is adapted from Plato?s Allegory of the Cave. While ?The Matrix? mirrors Plato?s allegory almost exactly in structure, its storyline is far more complex and it is effectively adapted to be a modern sci-fi/action movie. The film draws in a modern audience, who can relate to its protagonist, Neo, because we too may have felt disconnected from present society. Not many people in the past one hundred years have been chained to a cave wall watching shadow puppets.

Just as the prisoners in the cave, Neo is chained to massive wall where machines harvest his body?s heat to power themselves. Neither t...
 
cauz July 9, 2014, 2:56 p.m.
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Imagine having lived your life on a basis or premise of a truth ? be it in science, religion, culture, philosophy, ethic or even politic ? then finding out one day that everything you ever believed in was wrong, completely and utterly untrue. Would you be able to accept it? Would you be able to change your way of thinking?

It is undoubtedly a frightening prospect, but that is basically what is espoused in the "Allegory of the Cave" found in Plato's Republic. Socrates was apparently the one who originated the allegory, though it was his student Plato who recorded it ? together with his own interpretations.

...
 
Hidden User Aug. 18, 2018, 10:47 p.m.
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The Forms are expounded upon in Plato's dialogues and general speech, in that every object or quality in reality has a form: dogs, human beings, mountains, colors, courage, love, and goodness. Form answers the question, "What is that?" Plato was going a step further and asking what Form itself is. He supposed that the object was essentially or "really" the Form and that the phenomena were mere shadows mimicking the Form; that is, momentary portrayals of the Form under different circumstances. The problem of universals – how can one thing in general be many things in particular – was solved by presuming that Form was a distinct singular thing but caused plural representations of itself in particular objects. For example, Parmenides states, "Nor, again, if a person were to show that all is one by partaking of one, and at the same time many by partaking of many, would that be very astonishing. But if he were to show me that the absolute one was many, or the absolute many one, I should be...